James Corby (University of Malta, Malta)

After Literature: The Post-Literary Condition, Creative Criticism and the Question of the Common

Elena Di Giovanni (University of Macerata, Italy)

Audiovisual Translation and Accessibility: New Languages, New Forms of Linguistic and Cultural Transfer

Ovidiu Ivancu (Vilnius University, Lithuania)

Shifting Boundaries: Posthumanism and the Reimagining of Human Identity in Literature

Katerina Kitsi-Mitakou (Aristotle University of Thessaloniki, Greece)

Memefying the English Canon: Literature Interacting with Contemporary Politics

Lívia Kortvelyessy (Pavol Jozef Šafárik University, Slovakia). 

On the Typology of Onomatopoeia: Sound Events and their Onomatopoeic Patterns

María Losada Friend (University Pablo de Olavide, Spain)

New Perspectives on Travel Literature: Emotionology and Women Travelling at the Outburst of the Spanish Civil War

Minna Nevala (University of Helsinki, Finland)

From the Glamorous White Plague to the Grim COVID-19: On the News Representation of People during Pandemics

Natália Pikli (Eötvös Loránd University, Hungary)

'Why Shakespeare?' Scholars and Playwrights Serving 21st-Century Communities

Marzanna Pogorzelska (University of Opole, Poland)

 'Not as innocent as they seem': English Textbooks and their Ideological Entanglement in Neoliberal Reality

Christine Reynier (University of Montpellier Paul-Valéry, France)

Material Intimacies in British Interwar Literature

Sofia Rüdiger (Free University of Berlin, Germany)

Semiotics of Overindulgence: Language and Spectacle in Online Food Performances

Hartmut Stöckl (Salzburg University, Austria)

 'Been there, done that?': Multimodal Argument Reconstruction Based on the Evidence of Corpus Annotation

Lieven Vandelanotte (University of Namur & KU Leuven, Belgium)

 'Every day I am subjected to images and text': Towards a Grammar of Internet Memes

Irena Vassileva (New Bulgarian University, Bulgaria)

Academic Integrity in the Post-Plagiarism Era

Titela Vîlceanu (University of Craiova, Romania)

Reclaiming the Human in Digital Literary Translation. Beyond Stylistic Metrics